A recent release by the Metropolitan Opera, this two-disc set makes available on DVD the famous performance of Berg’s Lulu that was broadcast on 20 December 1980 as part of the PBS series “Live from the Met.”
Since his debut at the Metropolitan Opera in 1971, conductor James Levine has come to represent the house’s commitment to artistic excellence — reliable, professional, and immaculately presented.
Once the province of only the most dedicated opera fanatics, mid-20th century recordings of privately taped live performances have become more widely available.
The novels of Sinclair Lewis once shot across the American literary skies like comets, alarming and fascinating readers of that era, but their tails didn’t extend far behind them.
The Los Angeles Opera, anticipating Benjamin Britten’ centennial gave
the composer, as well as its patrons, an early birthday present of performances
of his charming comic opera, Albert Herring.
For sixty years, the Chelsea Opera Group has adorned London opera life. It doesn’ do mass market, but focuses on unusual and obscure repertoire. This audience comes for the music!
The Barbican’s English oratorio series now reaches the twentieth century, with Tippett’s A Child of Our Time, though it will step back to The Dream of Gerontius next month.
The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.
Flute players in opera orchestra around the world must look forward to the frequent appearances of Donizetti’s Lucia di Lammermoor, knowing that while the stage spotlight in the mad scene will be on the soprano, the orchestral spotlight will be on their instrument.
Released in late 2011, Deutsche Grammophon’s DVD of the new staging of Berg’s Lulu at the Gran Teatro del Liceu, Barcelona is an excellent contribution to the discography of this fascinating opera.
“Opera is an emotional fitness centre”, says Kasper Holten, new Director of Opera, announcing the Royal Opera House 2012-13 season which mixes daring with prudence.
How would a period instrument specialist like John Eliot Gardiner approach Rigoletto, Verdi’ sordid tale? This was his first Rigoletto (though not his first Verdi); but he created it with great insight.
Two live camels with trainers in Egyptian garb were stationed in front of Phoenix’s Symphony Hall to publicize the opening of Arizona Opera’ new production of Aida.
Lyric Opera of Chicago has begun with the current season’s production of Show Boat a series of musicals of the American theater to be featured in coming years.
Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15.
The unfashionableness of Der Freischütz in England is a little baffling. In its day, not only was the opera celebrated across Germany, it soon conquered other European stages and indeed theatres worldwide.
When the ENO does really innovative work, it does so with style. Wolfgang Rihm’ Jakob Lenz may have taken 34 years to reach London fully staged, but this ENO production made such a strong impression that it might be years before it will be forgotten.
An exciting contribution to the discography of this popular opera, the live performance of Richard Strauss’s Salome from the Festspielhaus at Baden-Baden is a compelling DVD.
It is Manon month in the Mid-Atlantic states. In New York, the Met is presenting Massanet’s take, while Opera Company of Philadelphia has just opened Puccini’s version: his first successful opera, Manon Lescaut.
: The Opera Tattler Subscribe to this blog's feed Notes On About SF Opera's Future Seasons How Standing Room Works Official Blogs of West Coast Opera Companies Los Angeles Opera Portland Opera San Diego Opera San Francisco Opera Seattle Opera Vancouver Opera Matthias Goerne at SF Performances Main April 27, 2012 Das Rheingold at the Met Cycle 2 Notes A second Ring cycle began with Das Rheingold Scene 4 pictured left , photograph by Ken Howard Metropolitan Opera last night at the Met . Robert Lepage's production involves a series of about 48 panels that can be arranged in many different configurations . Known as The Machine , Carl Fillion's set is not unlike a huge shape-shifting robot . The scene changes were certainly resolved in breathtaking ways . However , the main drawback is not that
Come join us this Sunday, May 20 at 2:30 pm for our second recital.
Free Admission
At the Boise Philharmonic Reception Room
516 South 9th Street, Boise
Featuring Opera Idaho Resident Company singers: [...]
: The Opera Tattler Subscribe to this blog's feed Notes On About SF Opera's Future Seasons How Standing Room Works Official Blogs of West Coast Opera Companies Los Angeles Opera Portland Opera San Diego Opera San Francisco Opera Seattle Opera Vancouver Opera Opera San José's Faust Main April 24, 2012 Matthias Goerne at SF Performances Notes San Francisco Performances presented baritone Matthias Goerne pictured left , photograph by Marco Borggreve in recital with pianist Leif Ove Andsnes on Monday . The performance focused on six Shostakovich songs from Suite on Verses of Michelangelo These were interspersed selections from Mahler's Des Knaben Wunderhorn Rückert Lieder and Kindertotenlieder Goerne's voice is unreal , velvety and perfectly legato . He sounds unlike anyone else . Wenn dein
: The Opera Tattler Subscribe to this blog's feed Notes On About SF Opera's Future Seasons How Standing Room Works Official Blogs of West Coast Opera Companies Los Angeles Opera Portland Opera San Diego Opera San Francisco Opera Seattle Opera Vancouver Opera Dominique Labelle Interview Main April 22, 2012 Opera San José's Faust Notes Faust Act II with Michael Dailey and Jouvanca Jean-Baptiste , photograph by P . Kirk opened at Opera San José last night . The ambitious performance had some lovely points , but was , on the whole , rather scattershot . The orchestra , lead by David Rohrbaugh , sounded slightly lax . The overture was drawn out so that we could hear all the tunes we would be hearing later in the evening . The tempi were not too slow as much as simply lacking tension . The
: , , The Opera Tattler Subscribe to this blog's feed Notes On About SF Opera's Future Seasons How Standing Room Works Official Blogs of West Coast Opera Companies Los Angeles Opera Portland Opera San Diego Opera San Francisco Opera Seattle Opera Vancouver Opera Welser-Möst conducts Cleveland in Mendelssohn , Saariaho , Shostakovich Main April 17, 2012 Welser-Möst conducts Cleveland in Beethoven , Adès , Smetana Notes Cleveland Orchestra pictured left at the Adrienne Arsht Center for the Performing Arts in 2008, photograph by Roger Mastroianni played a second concert at San Francisco Symphony on Monday night . The program , conducted by Franz Welser-Möst began with Beethoven's Violin Concerto . The soloist , Nikolaj Znaider , showed a predilection for strong contrasts . One of the cadenzas
The symphony is working on their seventh Beethoven symphony this year - Beethoven's 3rd, also known as the "Eroica." You can experience a couple minutes of the rehearsal here:
Larry Stickler
2012-04-11
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Natalie Dessay portrays Violetta
Met Opera
Center
false
“Violetta Valery, a Parisian courtesan, is receiving guests when Alfredo Germont is introduced as an admirer. Violetta invites him to make a toast and Alfredo leads the crowd in a dr
Join us on Saturday, April 28, 6:00pm as the Opera Idaho Children’s Choruses present their Spring Aires concert, conducted by Linda Berg.
Musical guest: Cantate-Cache Choir from Logan, Utah, conducted [...]
Come join us this Sunday, April 22 at 2:30 pm for our first recital.
Free Admission
At the Boise Philharmonic Reception Room
516 South 9th Street, Boise
Featuring Opera Idaho Resident Company singers: [...]
Beethoven is adventuring in Salt Lake City again, and he needed a quick bite to keep his energy up.
Let us know where Beethoven is by 5 PM on Wednesday, April 11 - winning answers will be entered to win a pair of tickets to Beethoven's "Eroica" this weekend!
If you've been to one of the pre-concert chats in the First Tier Room lately you know that they are popular. This season we've been reaching the room capacity and have had to turn people away, which is never fun. Starting this weekend we're excited to report that the pre-concert ...
One feature we're excited to announce on the blog is a look into the rehearsal process. For each of Thierry's Masterworks performances we'll share a video of a couple minutes of the first rehearsal. We hope you enjoy it!
Advocating a key change, simply to make Delibes's superb operatic duet easier to sing, or easier to play is simply a form of dumbing down. It is nothing