A Franco Zeffirelli production for The Metropolitan Opera typically prompts the use of adjectives such as “grandiose,” or “gorgeous” on the positive end or “gaudy” and “gratuitous” on the negative.
The opening tableau of Penny Woolcock’s new production depicts deep waters with rays of sun hitting the surface; in the murky blue depths, three harnessed acrobats glide down to the sea bed and back up again.
Detailed and precise, but never fussy, David McVicar’ thought-provoking production of Le Nozze di Figaro is ‘usy’from the opening rushing semi-quavers of the overture.
This recital was the last in a series of five put together by Roger Vignoles
to celebrate the lieder of Richard Strauss — a series which, comprising
85 of Strauss’songs, has highlighted the composer’ role as heir
to the nineteenth-century German lieder masters and reminded us of the
ravishing beauty and varied emotional range of these unjustly neglected
songs.
Everyone knows the tunes from Bizet's Carmen even if they don't know it's an opera. Now the Royal Opera House, London, is making the world's best known opera into the world's first 3D opera film.
Ring fever rages on. San Francisco has just unveiled its Walküre the completed cycle to take place next June. Gratefully the price of the SFO effort has not become a topic of conversation, as has the cost of the just completed L.A. Ring
Otello: Dramma lirico in four acts.Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A bizarre rock cliff attributed in the program booklet to one Antonio Nigro was the sole background for San Francisco Opera’s production of Puccini’s version of a play named The Girl of the Golden West by San Francisco born David Belasco (1853-1931).
$32,000,000, and it would have been a bargain at $50,000,000. Los Angeles Opera went for broke, and it paid off with a Ring that has raised the worldwide Ring bar to a dizzying height.
Faust has long since left the French repertory to enter the international repertory, meaning that, like Disneyland, it has been absorbed into diverse cultures where it discovers new resonances.
Israel Opera Nabucco includes three Va pensiero’s It’s apocrypha, of course, but legend has it that since its 1843 premiere at La Scala audiences have wanted an encore of the chorus Va pensiero when Verdi’s Nabucco is on stage.
Perhaps the most famous of singing rounds, Dona Nobis Pacem, means "Give us peace." Now with free guitar tabs and staff for pianists, vocalists, fiddlers, and other instrumentalists.
The Camp Opera Idaho website has been updated with detailed information regarding what the camp will cover.
Fill out the registration form and e-mail it back to Amanda Campbell.
: The Opera Tattler About Subscribe to this blog's feed Notes On The 2010-2011 Season SF Opera's Future Seasons How Standing Room Works 2009-2010 Season Die Walküre in SF La Fanciulla in SF Faust in SF Götterdämmerung in LA Siegfried in LA Die Walküre in LA Das Rheingold in LA Amelia in Seattle Serse in Houston The Tender Land in El Cerrito The Stronger The Impresario in Livermore Die Gezeichneten in LA Orlando in SF Hamlet in NYC The Nose in NYC Don Giovanni in El Cerrito Nabucco in San Diego Agrippina in Berlin Figaro in Berlin Don Carlo in Paris Idomeneo in Paris Giulio Cesare in Paris Wozzeck in SF Il Barbiere in LA Tamerlano in LA From the House of the Dead in NYC Turandot in NYC Il Trittico in NYC Kepler in NYC Otello in SF Dido Aeneas in SF Salome in SF Aida in NYC La Fille in SF A
: , , The Opera Tattler About Subscribe to this blog's feed Notes On The 2010-2011 Season SF Opera's Future Seasons How Standing Room Works 2009-2010 Season Die Walküre in SF La Fanciulla in SF Faust in SF Götterdämmerung in LA Siegfried in LA Die Walküre in LA Das Rheingold in LA Amelia in Seattle Serse in Houston The Tender Land in El Cerrito The Stronger The Impresario in Livermore Die Gezeichneten in LA Orlando in SF Hamlet in NYC The Nose in NYC Don Giovanni in El Cerrito Nabucco in San Diego Agrippina in Berlin Figaro in Berlin Don Carlo in Paris Idomeneo in Paris Giulio Cesare in Paris Wozzeck in SF Il Barbiere in LA Tamerlano in LA From the House of the Dead in NYC Turandot in NYC Il Trittico in NYC Kepler in NYC Otello in SF Dido Aeneas in SF Salome in SF Aida in NYC La Fille in
: The Opera Tattler About Subscribe to this blog's feed Notes On The 2010-2011 Season SF Opera's Future Seasons How Standing Room Works 2009-2010 Season Die Walküre in SF La Fanciulla in SF Faust in SF Götterdämmerung in LA Siegfried in LA Die Walküre in LA Das Rheingold in LA Amelia in Seattle Serse in Houston The Tender Land in El Cerrito The Stronger The Impresario in Livermore Die Gezeichneten in LA Orlando in SF Hamlet in NYC The Nose in NYC Don Giovanni in El Cerrito Nabucco in San Diego Agrippina in Berlin Figaro in Berlin Don Carlo in Paris Idomeneo in Paris Giulio Cesare in Paris Wozzeck in SF Il Barbiere in LA Tamerlano in LA From the House of the Dead in NYC Turandot in NYC Il Trittico in NYC Kepler in NYC Otello in SF Dido Aeneas in SF Salome in SF Aida in NYC La Fille in SF A
The Registration form for Camp Opera Idaho 2010 is now available on our website!
Click here for the Registration Form
Dates: August 2nd-6th, 2010 (Monday-Friday)
Time: 9:00am-1:00pm
Location: Opera Idaho studio, 513 South 8th St., Boise
Ages: 10-18
Cost: $150
Register by July 12, 2010!
For more information on Camp Opera Idaho as it becomes available, please visit our webpage