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  • Western Theory’s Chinese Transformation: Postscript

    Updated: 2024-03-26 11:40:25

  • Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism

    Updated: 2024-03-26 11:39:49
    Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 Deleuze†s Challenge to Hegel†s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism Authors WU Yuyu East China Normal University Follow Western Theory†s Chinese Transformation Abstract German classical aesthetics , featuring a systematic analysis of concepts and theories , plays a fundamental role in the founding of Chinese modern aesthetics . From the 1980s , when the spread of Western theories began to flourish , Chinese scholars assimilated deconstructionist thought for example , that of Deleuze and started

  • French Left-wing Literary Theory and Mao Zedong Thought

    Updated: 2024-03-26 11:39:38
    Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 French Left-wing Literary Theory and Mao Zedong Thought Authors HAN Zhenjiang School of Humanities , Shanghai Jiao Tong University Follow ZHANG Yuling School of Humanities , Dalian University of Technology Western Theory†s Chinese Transformation Abstract French left-wing literary theories have continued to accept and interpret Mao Zedong†s thought including his theories on literature and art from the 1960s to today . This intellectual communication enabled the formation of Louis Althusser†s structural Marxism and contemporary left-wing literary theory . Mao†s

  • Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective

    Updated: 2024-03-26 11:39:15
    Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 Knowledge Production in the Theory of Literature and Art in Contemporary China : From a Generations Perspective Authors TAO Dongfeng School of Humanities , Guangzhou University Follow ZHANG Chun College of Liberal Arts , Shanghai University Follow Western Theory†s Chinese Transformation Abstract In the field of theory of literature and art i.e . the discipline of Wenyi xue in contemporary China , the post-1930s and the post-1950s generations scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively are the most influential ones . They are

  • Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn

    Updated: 2024-03-26 11:39:04
    Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn Authors YAN Fang School of Chinese Language and Literature , Central China Normal University Follow Western Theory†s Chinese Transformation Abstract Influenced by China†s distinctive “ qing ” tradition , ranging from the “affective Enlightenment” to the sentimental affective revolution , both China†s modern Enlightenment movement and the Chinese leftists†endeavors for social transformation and revolution heavily relied on the emotions and affect , especially

  • Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China

    Updated: 2024-03-26 11:38:52
    : Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 Traveling Theory and Discursive Transformation : The Reception of Walter Benjamin and Emmanuel Levinas in China Authors WANG Jiajun East China Normal University Follow TANG Qilin Shanghai Academy of Social Science Western Theory†s Chinese Transformation Abstract Chinese scholars are increasingly interested in Jewish philosophy and culture and the philosophical concept of redemption . That is bringing about more and more studies on Walter Benjamin and Emmanuel Levinas , two of the most well-known Jewish philosophers . In these studies , conducted with different

  • The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China

    Updated: 2024-03-26 11:38:41
    : , , Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 The Many Afterlives of Orientalism : Translation , Reception , and Appropriation of Saidian Theory in China Authors WU You East China Normal University Follow Western Theory†s Chinese Transformation Abstract During the mass translation of Western “post-isms” since the 1990s , Saidian postcolonial theory , Orientalism in particular , was introduced to China through interpretation , reception , and appropriation in the Chinese academe , becoming an important discursive tool for the debate about China . The translated work is perceived as the “afterlife”

  • The Making of Chinese Meixue

    Updated: 2024-03-26 11:38:29
    Home Search Browse Collections My Account About Digital Commons Network™ Skip to main content Home About Comparative Cultural Studies My CLCWeb Account Home Libraries LIBRARIESPUBLISHING PUPOAJ CLCWeb Vol . 25 2023 Iss . 3 The Making of Chinese Meixue Authors LI Qingben Hangzhou Normal University Follow WANG Gang Taizhou University Western Theory†s Chinese Transformation Abstract In “The Making of Chinese Meixue,” Li and Wang discuss the Chinese translation of the term “aesthetics.” It had been believed that it was the German missionary Ernst Faber who first coined the Chinese term “ meixue ” which is refuted in this paper . The view that the term “ shenmeixue ” in Japan was derived from Wilhelm Lobscheid†s English and Chinese Dictionary also lacks factual basis It is

  • Introduction: Western Theory’s Chinese Transformation

    Updated: 2024-03-26 11:38:19

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